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From Instruction to Construction: What Does “Platonic” Teaching Teach?

Part 2

Pink Floyd’s 1979 The Wall presented a harrowing vision of the “educational industrial complex”

In my last article, I described two kinds of educational approach: the “Platonic,” that prizes “pure” abstract or conceptual information, and the “Aristotelian,” that focuses on embodiment and application of knowledge in learning-by-making and real-world contexts. In other words, it’s the difference between instruction and construction as teaching strategies. As I discussed, these approaches represent a dichotomy in today’s educational practice. However, they’re not evenly distributed. Despite copious evidence to support a more “Aristotelian” approach, the “Platonic” approach prevails in schools throughout much of the world. Instruction has eclipsed construction. And this poses a profound challenge for our collective future that most educators haven’t even considered….

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From Instruction to Construction: Plato & Aristotle

part 1

In a previous edition of my career, when I was a professor of literature and literary theory, I used to tell my students that much of literary history could effectively be seen as an argument between Plato and Aristotle….

Plato believed in an absolute “reality” that exists outside of human perspective and experience — a perfect realm of universal “forms” that shape and give meaning to everything. He believed that the physical universe around us is an inferior, decaying shadow of these forms — nothing but a poor copy. Since only a few “elect” people can see beyond the distracting surface of the material universe, most people don’t really understand what’s important. And what’s important is not the concrete, physical world, but only the “abstract” one that hides beyond it in the perfect, ethereal plane. Human creation (whether by art, skill, or application) is merely another distraction associated with the inferiority of this material world: it’s okay for the “lesser” people, but not appropriate for those “elites” who know what’s what.

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